BLS MAIN IMAGE 8.5 X 11.jpg

Blue Screen

On September 28, 2018 Bryan Elsom will debut his long awaited project, “Blue Screen” in Washington, DC.  “Blue Screen” is a three channel video installation designed as an immersive experience.  This digitally experiential piece surveys memory, perceptions, knowledge and relationships between three characters by visualizing what has happened, what is happening and what will happen, simultaneously.

“Blue Screen” is being presented for a limited time at 1301 H St NE, Washington DC, 20002 in conjunction with “Art All Night,” a city wide celebration of art in all its’ forms.  

“Blue Screen” seeks to explore the structure of narrative.

The three depicted characters examine their history, which may be their own emotional projection of what will happen, in simultaneous moments with what is occurring to them on another screen. Scenes and relationships are repeated within an ever changing context.

“Blue Screen” is presented on three large video screens, placed in a gallery setting, situated so the viewers can walk in and among the screens. The screens are positioned so that a viewer can only see two of the full screens at once, and a part of the third screen. Images projected on the fronts of the screens are also projected in sync on the backs of each screen. Like the viewer, the physical structure of the installation allows the characters to observe their own lives. They can stand outside the experience, observing their own behavior and the behavior of others. Time is abstracted and fluid.

The presentation of “Blue Screen" will take place on Friday, September 28th, 2018 from 11:00 am - 7:30 pm and Saturday, September 29th, 2018 from 11:00 am - 2:00 am in conjunction with “Art All Night,” a city wide overnight art festival.

 
 
Screenshot 2018-08-31 11.59.44.jpg
 

artist statement

Blue Screen Project seeks to explore the structure of narrative. The piece surveys memory, perceptions, knowledge and the relationship between three characters by visualizing what has happened, what is happening and what will happen, simultaneously. Characters examine their history, which may be their own emotional projection of what will happen, in simultaneous moments with what is occurring to them on another screen. Scenes and relationships are repeated within an ever-changing context.

The piece is a three-channel video installation designed as an immersive experience. Three large video screens are placed in a gallery setting, situated so the viewers can walk in and among the screens. The screens are positioned so that a viewer can only see two of the full screens at once, and a part of the third screen. Images projected on the fronts of the screens are also projected in sync on the backs of each screen. 

Like the viewer, the physical structure of the installation allows the characters to observe their own lives. They can stand outside the experience, observing their own behavior and the behavior of others. Time is abstracted and fluid. 

Projects

9 Screen is a video installation that explores confinement and perspective in relationship to the projected images, as well as to the viewer’s immersive physical experience. I want people to feel surrounded and confined themselves, as events transpire simultaneously, in real time, all around them, but all from different points of view. We are all trying to break out of or into something. 

The piece is designed to be projected on three walls of three rooms located adjacent to one another. By standing in the middle of each room, the viewer is at the nodal point of that specific room’s three-camera perspective. Each scene was shot with three synced cameras from the specific architectural nodal point of each scene. 

 
Blue Screen 5.jpg

About Bryan Elsom

Bryan Elsom is a filmmaker, painter and mixed media artist. His documentary films on American jazz, politics and religion have been broadcast in the US, Europe, Japan and Australia. He is the founder and creative director of MRB Films, a video content studio, involved in projects extensively in the U.S. and Latin America, as well as in Europe, South Africa and China. His multi-screen installation work includes projects for Hyatt Hotels and Planned Parenthood. 

His video work explores the complex nature of time and memory. By questioning the concept of movement, he finds that movement reveals an inherent awkwardness, echoing our own vulnerabilities. The artist also considers movement as a metaphor for the ever-seeking man who experiences a continuous loss. Associations and meanings collide. Space becomes time and language becomes image. 

He has been a visiting professor and lecturer at various educational institutions, including Virginia Commonwealth University, New York University, Univ. South Florida, Carlton College, Univ. of North Carolina, Univ. of South Carolina, and Univ. of Georgia.  

Bryan Elsom currently lives and works in Baltimore.

 

INQUIRIES

Elizabeth Carberry

ArtSee
contact@artseedc.com
202.630.2278